My 10 most influential albums #7

Band: Ben Folds Five
Album: Whatever and Ever Amen
Released: March 1997
Favourite Track: Battle of Who Could Care Less
Favourite Lyric: “I poured my heart out, it evaporated, see?”

I got into Ben Folds Five because Richard had a spare ticket to a show at the Kentish Town Forum as he’d split up with his girlfriend and unsurprisingly didn’t want to go along to a show with her. He lent me this album along with Ben Folds Five and Naked Baby Photos. I listened to them a fair bit before the show but it wasn’t until I saw the show that I fell in love with the band.

The energy and passion in the show draws you into the band, along with the fact that they all seemed like people you’d want to be friends with. But mostly it was the fact that Ben Folds scaled the speakers and threw his piano stool at his piano. It was at that point that I realised that pianos could be cool and not just for Elton John.

This album is the one that I will come back to again and again. The first is rawer and punkier, The Unauthorised Biography of Reinhold Messner is more musical and more polished and the stuff after they reformed was more experimental but Whatever and Ever Amen is the one that just encompases everything the band is about – beautiful harmonies, an interesting combination of instruments, songs about people and experiences which are at the same time both specific and universal.

For my birthday last year, my brother got me Ben Folds book A Dream About Lightning Bugs which I highly recommend. It is an autobiography that completely focuses in on the music and isn’t self-indulgent. It really helped me understand how he constructs his songs and gave me inspiration for song writing as well.

My 10 most influential albums #6

Band: Elliott Smith
Album: Either/Or
Released: February 1997
Favourite Track: Say Yes
Favourite Lyric: “People you’ve been before that you don’t want around anymore”

I had been told by someone into similar music as me that I would like this album. So I went to Our Price and got them to order it in for me. It arrived a couple of weeks later and I went into town to collect it. The salesperson at the desk was my friend Tim who I briefly discussed the album with as he’d not heard of it but I was unable to even give him a hint about what it might sound like having no idea myself.

I was lucky enough to see a few shows while he was still alive. The first time I saw him he was supported by Quasi who he also played bass for.

Before seeing him, I had the impression of him as an exceptionally introverted person but he seemed really quite personable. He would come out and wave to the crowd and made jokes about his voice being bad due to a cough but that he couldn’t be too bad as he was still smoking.

Anyway, this album is basically flawless. Every song on it is a beautiful work of art. Excellent music, great lyrics, perfectly structured. I literally can’t find a flaw with it.

Smith is a vastly underrated guitar player. I know because I’ve recently bought a “Best of” music book and I can barely play 2 songs from it.

I still strongly remember the night when I was lying in bed and got a text message from Richard telling me that he had died and the feeling that evoked in me.

My 10 most influential albums #5

Band: dEUS
Album: In A Bar, Under the Sea
Released: September 1996
Favourite Track: Roses
Favourite Lyric: “I don’t need no thoughts in me, don’t you want to rescue me?”

I saw the video for Little Arithmetics on the alternative show on MTV and was blown away. It’s such a beautiful song that at the end turns into a noisefest. Instantly I wanted to make music like that.

dEUS are from Belgium and so English is not their first language. Either because of or despite that (I’ve never been able to work out which) their lyrics are a lot more poetic and interesting than many musicans for whom English is their first language.

Things I like about dEUS:

  • How they present their name with a small d and capital EUS
  • They have a violinist
  • They seem to be a musical collective. The last time I saw them they seemed to have acquired Mauro Pawlowski, the singer from Evil Superstars, as a backing guitarist/vocalist. Evil Superstars are also awesome and you should check them out.
  • They don’t sound like anyone else.

My 10 most influential albums #4

Band: Radiohead
Album: The Bends
Released: March 1995
Favourite Track: Just
Favourite Lyric: “I wish it was the sixties, I wish I could be happy I wish, I wish, I wish that something would happen”

Of the albums on this list, this is the first one I had on compact disc. If you’re young, they’re like little frisbees that play MP3s.

A while before I got this, I had randomly ordered a CD of Pablo Honey from a mail order advert in a magazine. If you’re young, it was like a paper version of Amazon.

I had no idea what Radiohead sounded like but I’d read about them and they seemed like the sort of band that I would like, and the CD didn’t cost too much. I liked it but it wasn’t until I got the follow up that I really fell in love with Radiohead who took over the mantle of being my favourite band for many years to come.

This album is one of four on this list that could possibly be my all-time favourite album. It’s all killer no filler, and the band making a proper rock album before they went all bleepy boopy. Not that I don’t like the bleepy boopy stuff, it’s just that my heart lies with The Bends.

One of the weirdest gigs I’ve ever been to was a Radiohead gig at Victoria Park. The crowd was basically motionless for the entire gig except when Just came on (the best song) when it became a giant moshpit for four minutes before everyone stood motionless for the rest of the gig.

Whilst all the band are great, Jonny Greenwood is definitely one of my top 3 guitarists and I get annoyed because I find it impossible to even get close to emulating him.

My 10 most influential albums #3

Band: Beastie Boys
Album: Ill Communication
Released: May 1994
Favourite Track: Sabotage
Favourite Lyric: “Ad Rock come and rock the sure shot”

I saw the video to Sabotage on MTV and was blown away. It’s just such an awesome video, taking off 70s cop movies and you really want to have been a part of making the video.

This is one of the most rock songs on the album and effectively became my gateway into a more diverse appreciation for music.

When my dad got a new work car, whoever had it previously had left a cassette version of Ill Communication in it, which I promptly borrowed and fell in love with. It had no box so I had no idea what the cover looked like for a good few months.

If it wasn’t for the Beastie Boys, my appreciation for music would be a lot more limited and this is one of the reasons why the death of MCA is one of the few celebrity deaths that really hit me hard.

This album would not be in my top 10 favourite albums, but it is one of the most important in terms of broadening my musical horizons and for that reason, it makes this list.

My 10 Most Influential Albums #2

Band: Nirvana
Album: In Utero
Released: 21 September 1993
Favourite Track: All Apologies
Favourite Lyric: “I’m not like them but I can pretend”

Released just a week after August and Everything After, but worlds apart in terms of sound, my second most influential album (chronologically) is the final studio offering from Nirvana.

Like much of the music that has influenced me, I have written a bit about Nirvana on my blog before. This was in the context of me feeling old about how long ago it was that Kurt Cobain died (now 26 years ago this month – he’s almost been dead longer than he was alive).

The first band that I would have classed as my favourite band was Guns N’ Roses. Nirvana were the band that took that honour from them and it wasn’t even close.

Whilst Nevermind was the album that helped them to break the big time, In Utero struck me as the album that they had actually wanted to make. It is raw, punkier, has more feeling and is less produced.

The influence that Nirvana had on me went beyond music. At I mentioned last week, I gave myself a Kurt Cobain makeover in my youth. I also play guitar left handed so I’m sure we basically looked like twins. I also read books that were mentioned by the band, including Perfume by Patrick Suskind on which the track Senseless Apprentice from this album was based.

I don’t remember being into them before Kurt died, so I never really felt a sense of loss that they weren’t around. Their restricted back catalogue almost made what they had produced even more special, and this album is I think the most special of them all.

My 10 Most Influential Albums #1

My brother-in-law Gavin set me the impossible task of trying to pick my 10 most influential albums. It has taken me a lot of mental energy to narrow it down to these 10 albums. I know the initial premise of it is to do the album covers without comment, I am not able to do that and feel I need to justify every entry into the list. So I’m going to do one blog post a day for the next 10 days with a short bit about why each album made it onto the list. And because I can’t pick favourites, these are in chronological order of release. I tried to do autobiographical like in High Fidelity but my brain can’t pick apart what I heard first.

Band: Counting Crows
Album: August and Everything After
Released: 14 September 1993
Favourite Track: A Murder of One
Favourite Lyric: “Every word is nonsense but I understand”

The first time I heard Counting Crows was on the MTV when the M still stood for music. There was this cool looking guy with dreads singing poetic lyrics and I was hooked. I would have been in my early teens and probably at my most influenceable.

I got the album on a casette tape and probably wore it out. It became my favourite album for quite a while. It was less loud than the music which I thought I liked at the time – louder, rockier or punkier kind of stuff and showed me that there was a place for gentle melodies, pretty guitars and sometimes heart felt lyrics, often poetic lyrics.

This album has appeared in the lists of many others doing the same thing. I think it somehow must have struck a chord with people at the right time, even though listening back to it now, the songs haven’t dated and are really quite timeless.

Out of all the bands on my 10 most influential albums list, they are one of two that I have not seen live, and the other will not be possible for me to see. I might look to try and rectify that when music starts happening again.

Like many bands, the album that first gets you into them is the one that sticks with you and that is definitely the case for Counting Crows. Whilst there are songs on other albums that I like more than many on August and Everything After, this album is the one that resonates most.

Half a life away

There has been a thing going around that there internet they’ve got these days where people are putting up photos of them at 20. Like all the things on the internet, I have no idea why it started but I decided to try and find a photo of myself at 20.

This was difficult because I am so old. Having recently turned 40, 20 is literally half of my life away. Facebook didn’t exist back then. When I was 20 we had only recently actually got the internet.

I managed to find the photos on this post on Livejournal. For those not old enough to remember, Livejournal was like Facebook except you only chatted to your friends and people were actually nice to each other. You’d also often write long(ish) journal entries and in hindsight it might be another reason why I quite enjoy blogging.

I clearly hadn’t worked out how to take a photo on the camera attached to the computer and also look at the camera at the same time. Although this was also the days of MySpace and not looking at the camera was the cool thing to do.

The photos are probably not when I was exactly 20. The one with the hat and the one with the tie are probably the closest but maybe slightly after. The mohawk came around when I was probably around 24.

I went through a lot of phases when I had hair. There was the Kurt Cobain/Chris Jericho bleached blond long hair and beard phase, there was the Elliott Smith messy long dark hair (probably the hat photo ear), there were a number of dye jobs ranging from orange to pink to something vaguely resembling blue. During some of the Battleska years I had a mohawk cut by our drummer as can be seen in photo 3, which was initially my regular hair colour and then became bleached blonde at some point. After that I had a long untidy goatee beard for a number of years.

It’s fair to say it took me a while to settle into a look.  It was partly enforced by my hair deciding it no longer wanted to be attached to my head.

In a way, my hair and facial hair could possibly be said to be a metaphor for my life. It wasn’t until I settled into my current grade 0 up top and grade 1.5 on the chin that I felt like I started to settle into my life. Or maybe that’s just me reading a bit too much into the significance of hair. Those of us who don’t have it tend to think it’s quite important.

“What were you like at 20?” I hear you not ask at all. Well, I shall tell you…

I was studying philosophy at the University of Kent. Mainly because I had no idea what to do with my life after school and it delayed having to get a job. It gave me a good understanding of ethics, but other than that I have not used it at any point in my life since. I was a year old than most of my classmates as I’d managed to drag out my A-levels to 3 years, so I had good form on putting off employment.

I had recently learned to drive using my student loan to pay for lessons taught by Stuart Lee (not that one) and would drive up to uni, sometimes offering lifts to others who were going to college/uni in Canterbury. Every Thursday I would road trip at stupid o’clock in the morning with Luke, Emma and Paul and we would drive past a sign that said “Caution: Mud On Road” yet never saw any mud. It was usually the highlight of our journey as we were sleepy teenagers.

I was living at home with my parents which was a way to do uni and not get into debt. The levels of debt that were got into at that age however were insignificant to the levels that students get into these days. I think I was in the first year of tuition fees and they were something like £1,500 per year but reduced depending on your parents’ income.

It also seems, from reading a few of my Livejournal entries, that I was a bit of an emo always moping about girls. This was a phase that probably lasted most of my twenties.

Musical interlude

I wrote this for a Getting To Know You thing that my work are doing whilst everyone is working from home and not doing any interacting.

From when I was very little I always had an interest in playing music. I thought I was going to be a rock star when I was playing air guitar in the living room watching Guns’n’Roses on Top of the Pops.

One of my earliest memories is borrowing my dad’s acoustic guitar when I was super little and making what have been a horrendous racket. I’m sure my parents didn’t think it was too much better when I was starting to learn to play for real.

The attached photos are bands I have been in over the last 20 years or so where I have varying quantities of hair on my head and my face.

I started to learning from about the age of 14 and during my school years my best friend and I were in a number of cover bands together. We vaguely started to branch out into writing our own songs but only ever managed to get one into our set.

The first band I was in which played regularly was called Battleska Galactica (top left picture), a ska punk band. The band had been going for quite a while at the time I joined, and I think I was mainly asked to join as I had been driving them to gigs and they felt guilty that they couldn’t pay me. The band was together for the best part of 10 years, and recorded 4 CDs in that time and played all over the south of the country. When everyone started to grow up and move away, we disbanded. Some of the members of the band are still playing regularly under the name Call Me Malcolm. I’m not sure how they do it as we used to get back from gigs in the early hours of the morning but now I like to be tucked up in bed by 11pm. 

When that band split up, I was in a short lived band called SuperPartyFunTimes (top right picture) with three other guys who had been in local bands that had been regularly performing in Kent. We wrote all our own songs based around Arnie or Panini football stickers but we only played around 6 shows, mainly because the world couldn’t handle that much awesome. 

The bottom right picture is of a band called Pirates and Pirates and Pirates. There used to be a festival called Lounge on the Farm in Canterbury and one of our friends was running a stage where they had someone drop out. We borrowed a guitar, formed a band, wrote some songs based mainly around our experiences that festival and performed all in a weekend. 

After a long break from performing, I formed a band called The Cool Kids (bottom right) with two close friends. We are mainly playing covers of songs in styles you wouldn’t expect – for example Marilyn Manson as a ballad or Prodigy as a country song. I think I’d had such a long break because music had started to feel like a chore and this has reminded me why I enjoy playing music – goofing around with friends and pretending to be rock stars. 

With the £250 training budget that L&Q give us after 5 years service, I have been having singing lessons. My current fanbase consists of my 3 month old daughter who enjoys my big hits “Incy Wincy Spider” and “Hickory Dickory Dock.”